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amuk / Khairani Barokka. - [miejsce nieznane] : Nine Arches Press : Legimi, 2024.
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Khairani Barokka's uncompromising third collection of poetry amuk sheds light on the devastating and ongoing effects of a single word's mistranslation, and emphasises what exists in opposition to such hostile histories and presents: hope, resistance, and joy. Groundbreaking in its use of form and poetics, amuk deconstructs the brutal workings of oppressive systems to examine how, "through macheted etymology", violence and suffering is replicated through (mis)translation. These radical poems of fury and prayer look towards the vital, living resistance of persisting languages, and resilient peoples.
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The best of new voices in poetry, published by Nine Arches Press in conjunction with The Poetry School. Primers Vol.2 collects together three selected poets from a nationwide scheme to find exciting new voices in poetry - there's much here to delight and dazzle.Edited by Jacob Sam-La Rose and Jane Commane, this year's Primers poets:Ben Bransfield is from Shropshire. His poems have appeared in The North, Obsessed with Pipework, ASH, and have been placed in Peterloo and Wenlock competitions. He was named a Poetry Society Teacher Trailblazer in 2015, and he lives and teaches in London.Cynthia Miller is a brand strategist and Co-Director of Verve, Birmingham's inaugural Poetry and Spoken Word Festival 2017. She was shortlisted for the Bridport Prize in 2013 and has a poem forthcoming in The Emma Press Anthology of Love.Marvin Thompson was born in London to Jamaican parents, and now lives in mountainous South Wales. As well as having an MA in Creative Writing, his poems have appeared in numerous journals. These include Stand Magazine and The Poetry Review.
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Be Feared / Jane Burn. - [miejsce nieznane] : Nine Arches Press : Legimi, 2021.
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Jane Burn's new poetry collection Be Feared is a captivating reclamation of self, sisterhood, and love, encountering everything from the Snow Queen to monsters, plagues and infernos. Acknowledging fear, this book embraces discovery, a process of translation and transformation, of finding a voice radiant with both curses and psalms. Rebellious, bloody, and encroached upon by violence, Burn's poetry examines survival, abuse and healing. Intensely imaginative, these incantatory poems rework fairy-tale and folklore and hold up enchanted mirrors to the everyday truths of being a working-class autistic woman, daring to become, claiming her own magnificent, unstoppable fluency and spell-making power.
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Boy in Various Poses, a debut collection of poems from Lewis Buxton, explores all the different types of boy you can be – tender, awful, thoughtful, vulnerable. Here, a maelstrom of mental health, male bodies, and sexuality is laid bare with wit and curiosity, and the complexity and multiplicity of gender itself is revealed.The boy in question is often shapeshifting, slippery, unreliable, close yet never quite in focus, moving too fast to pause and take a breath - yet Buxton studies these boys, their bodies and behaviours, with a disarming intimacy and precision. These poems are provocative, nuanced and often laugh-out-loud funny, shining with a naked, shameless brilliance."Poems that capture the rugby scrum of insight and uncertainty, the questions and discoveries I remember and still live. It pulled me in and showed me its birth marks. Loved it." – Steven Camden, Polarbear"Corporeal, surreal, and shocking, these poems are also beautifully tender - and Buxton's precise, imagistic use of language often has the poems singing from the page. A bold and moving debut." – Hannah Lowe"In this assured debut, Lewis Buxton asks 'how does a boy become a man?'. The answers are myriad and transgressive, lyrical and smart. The answers are more questions. The answers are flowers and oranges, hunger, knuckles, slow dancing, glitter and fear. In these taut poems, conventions are dropped stylishly, elegantly 'like a coat on a dance floor.' We are left watching a departing figure, a boy running 'out of his lungs', 'the sky's hair...flecked with grey.' This book is unforgettable, utterly addictive." – Helen Mort
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Arc / David Clarke. - [miejsce nieznane] : Nine Arches Press : Legimi, 2015.
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David Clarke's first full collection follows on from an acclaimed and award-winning pamphlet Gaud (winner of the 2013 Michael Marks Pamphlet Prize). Follow the trail of these fleet-footed poems, and you'll be swept along from sonnets for Scott Walker to Orpheus as white van man, via 'epic fails' and sword-swallowing for beginners. It's a memorable trip you'll want to start afresh as soon as you finish reading. By turns subtle, bittersweet and wickedly sharp, this is a debut collection of poems to be savoured, which you will find yourself returning to revisit again and again.
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The Field in Winter, the third collection of poetry by David Clarke, winner of the Michael Marks Award, elegantly reflects on memory, time, and the very particular landscape of loss, in a calendar of poems, a 'charm of words' that track and loop through seasons of nature and living. The relationship between the environment, the human body and the self takes centre stage here in poetry that is concerned with being in the world - senses alive to the detail of things, the trunk of a linden tree , the shock of cold water, the frenzy of bees and blossom. But these remarkable poems also write towards the intangible in the late summer's dusk – an empty cage, a bird flown; history's slow grind and echo. Clarke's elegies reach out to touch what passes us fleetingly in a moment of time – 'before the tongue can catch them' – held for that second, precious, in his poised and finely weighted poetry.
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This remarkable debut collection from Geraldine Clarksoncontains the uncontainable; wondrous, spellbound and daring poems, happy to roam from South American monasteries to the shorelines of memory. These bold, often witty and always hawk-eyed poems survey matters of faith, tragedy and womanhood. Elaborate, skilful and formally audacious, Clarkson is a poet of extraordinary and kaleidoscopic vision; her writing always richly riotous with detail, her poems possessing the singular ability to move from the maelstrom of feeling to the stilled moment with an assured, quick elegance. "The speaker of these poems is endlessly morphable and endlessly verbal; she can say anything and beguile us into listening: put our screens down and really listen and come to life again in the garden of her diction, her memory, her weird unassailable vision." – Kathleen Ossip "... one of the finest contemporary practitioners of the prose poem. A mind-rattling, heart-shaking debut." – A.B. Jackson
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House / Myra Connell. - [miejsce nieznane] : Nine Arches Press : Legimi, 2017.
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Myra Connell's House is a startling debut collection of poems that are both enchanting and disquieting, that ask questions, look for clues, and mark out telling absences. The house itself might be deep in the woods, high on the moors, or alone at the end of an urban terrace; simultaneously a real place, and a body, a mind, a home for the soul. Is it a shelter or a fortress, solid or decaying, welcoming or defended? A cast of characters come and go from its spaces, the outside world presses in at the windows, wilderness awaits at the threshold.
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What do you do when you are a god – but powerless and unable to prevent one of your favourite species from their insatiable, accelerating death wish? Do you try to shout louder and more insistently, or instead reinvent yourself as a troubadour of romantic ruin? Such are the dilemmas posed by Rishi Dastidar in his third poetry collection Neptune's Projects, a reshaping of mythology for the climate crisis era which gives bold consideration to the stark choices we face.A post-apocalyptic jig and reel, these poems are compelling, deadpan yarns of the sea, full of both fury and fun. In Neptune's Projects the end of humanity is made wry, thrilling – and alive.
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An outcast, an outsider, an oddball. With too much ambition and not enough talent, Saffron Jack has never fitted. Now, with the feeling that his time is running out, he needs to do something drastic to change his life. So what better idea than to run away to the nearest war zone and do the thing he's always wanted to do: start his own country and declare himself king..."A bravura meditation on crown and country, borders, and what it means to belong." - Niven Govinden"It's exciting to see what a poet already celebrated for their high-concept execution within individual poems can achieve when they have the courage to. The wide canvas of Saffron Jack allows Dastidar to untether his imagination and uses its permutational form to gather momentum and force as it zooms in and out on the titular antihero and his doomed and self-justified quest. Urgent, caustically funny and provocative – compulsory and deeply enjoyable reading." – Luke Kennard
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Frieze by Olga Dermott-Bond is an astonishing and spellbinding debut poetry collection. Goddesses, saints, dead girls, creatures, mothers, and muses all gather in this collection to confide their secret histories and desires. Voices are recovered from canvas, from behind museum glass, from the pages of literature and the tales of Irish folklore, to explore what can be recaptured and what remains still out of reach. 'In these tender poems, Olga Dermott-Bond conjures a gallery in which we enter every painting, a museum where we slip inside glass cases and come out changed.' - Miriam Nash From a bold voice in women's poetry. Frieze is art obsessed and darkly magical, with a touch of gothic. Akin to poets like Victoria Kennefick, Helen Ivory and Pascale Petit.
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Elizabeth Bishop's hawkweed, John Berryman's hummingbirds, Ted Hughes's burnt fox – the birds, beasts and flowers of Isobel Dixon's new collection are at times kin to D.H. Lawrence, whose essay 'Whistling of Birds' lends this book its name, though each poem here is its own vivid testament to the natural world, and our often troubled and troubling place in it. Lyrical, vigorous, inventive, A Whistling of Birds is at times in conversation with Lawrence's iconic collection, Birds, Beasts and Flowers, but also ranges widely through the worlds of other writers and makers – from the Venerable Bede to Emily Dickinson, Georgia O'Keeffe to Glenn Gould, and a wealth of other connections closely examined and delicately drawn. With its resonant elegies and notes of celebration, this is a collection that flexes, hums and brims with energy, yet surely draws you in to its quiet, reflective heart.
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Hide / Angela France. - [miejsce nieznane] : Nine Arches Press : Legimi, 2018.
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In Angela France's third poetry collection, Hide, what is invisible is just as important as what lies within plain sight. Layers of personal history are lifted into the light and old skins are shed for new; things thought lost and vanished long ago are just on the edge of perception, yet certainties before our eyes vanish in the blink of an eye.These poems possess their own rich heritage of stories and experiences; themes of magic, wisdom, age and absence are woven into the fabric of this skilful and succinct collection. Readers should also keep their wits about them, for these poems are cunning and quick; they hide nothing, but delight in camouflage, disguise and secrets, patiently awaiting someone who will seek."France's writing engages sensitively with the world as she searches for meaning in the ordinary and movingly explores the borders between shared and private experience. These are poems that make an honest deal with discomfort, following the trails and 'ghostly outlines of existence' with integrity, thoughtfulness and care."Deryn Rees-Jones"'Invisibility must be achieved for success', writes Angela France, revealing one of the truths of why the best poets serve language and are annihilated in the process. Hide is a book of wisdom, dignity and first witness. It offers poems of scrutiny and strength of character. And the poet's language possesses and is possessed by a gloriously sheared weight and shared music."David Morley"Angela France's new collection is a deft and resonant exploration of the half-hidden, taking us 'over there' and 'in there' under the hide of the 'other' and the liminal spaces they inhabit, all evoked with an uncanny command of language and image."Nigel McLoughlin"There are fifty-two complex, thought-provoking poems in this, Angela France's fascinating third collection, all of them engaged with what are clearly deep, lastingly cental preoccupations and, despite her view in "Anagnorisis" that "My only surety is carbon and water, ashes; / language as sensation, / no words", more than justifying the fulsome back-cover endorsements of Nigel McLoughlin, Deryn Rees-Jones and David Morley, who speak of the "integrity, thoughtfulness and care of her work", its "uncanny command of language and image", the sensitivity with which she perceives the world "as she searches for meaning in the ordinary" and its "gloriously sheared weight and shared music"."Ken Head"Angela France's collection not only brings immediate rewards - its depth satisfies more and more on rereading. I enjoyed it immensely."Matthew Stewart, Rogue StrandsAngela France has had poems published in many of the leading journals, in the UK and abroad and has been anthologised a number of times. She has an MA in Creative and Critical Writing from the University of Gloucestershire and is studying for a PhD. Publications include Occupation (Ragged Raven Press) and Lessons in Mallemaroking (Nine Arches Press). Angela is features editor of Iota and runs a monthly poetry cafe, Buzzwords.
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Tormentil / Ian Humphreys. - [miejsce nieznane] : Nine Arches Press : Legimi, 2023.
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'I can't face the big stuff so I comb the moors for a tiny yellow flower' – so begins Tormentil, the second poetry collection by Ian Humphreys. Set largely in the starkly beautiful West Yorkshire moorlands, these poems creep and bloom across geographies and time. Isolated by grief in the first months of the pandemic, Humphreys goes in search of hope and blessings among the burnt heather, tumbledown mills and canal locks near his home in the Calder Valley. He unearths a landscape of wildflowers and wildlife, a soundscape of rain and birdsong, at once healing, threatening and under threat. These are richly textured poems of living and resisting, anchored by connections to family, food, community – and an acknowledgement of the precarious root-holds of hard-won freedoms. A soaring, defiant hymn to recovery, this vital book contemplates migration, otherness, and all the internal and external elements that bind us, make us unique.
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Little Kings / Peter Kahn. - [miejsce nieznane] : Nine Arches Press : Legimi, 2020.
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Peter Kahn's debut collection Little Kings is an astonishing book of astute and deeply humane poetry, one which seeks to find in both teaching and learning a common ground, and between longing and belonging an equilibrium. Intuitive and wise, Kahn's poems remain compelling even when exploring those places where there is "no vocabulary for what might happen".Little Kings encompasses stories of the Jewish diaspora and of American life, interweaving narratives of escape and refuge, of yearning and absence. Some of these poems ricochet with the magnitude of loss and violence, with lives interrupted, half-lived, or vanished. Anchoring these poems is their immense grace and lyricism, and Kahn's great skill in tenderly carrying memory and experience into our shared understanding.
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In Gregory Leadbetter's second poetry collection, Maskwork, mystery, theatre and ritual combine to reveal rather than to disguise. The mask, in these resonant poems, acts as a way of becoming, seeing, and knowing – granting access to altered states and otherworlds hidden within and beyond ourselves. Here, language itself becomes an animating magic, connecting humans to our ecological roots.The spirit of revival, renaissance, new birth and rebirth haunts this book: and at its core, the idea of poetry itself as a form of learning – an art and a mystery – runs like a quicksilver thread throughout, between the elusive and the certain. Leadbetter's meticulously attuned lyrical poetry tells of the transformative experience of knowing, a dynamic state of being that forever alters both the knower and the known.
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Cairn / Richie McCaffery. - [miejsce nieznane] : Nine Arches Press : Legimi, 2018.
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Richie McCaffery's debut collection of poems, Cairn, begins in a dedication and ends with ghosts - in between lies hoards of artefacts and long-forgotten antiquities; a police whistle, a tarnished silver spoon, the bookmark lodged in a boring book decades before that sings of a lost age. These poems find their stories in the overlooked places of everyday, and take utter delight in the unexpected image and turn of phrase. Soaring, often short and bitter-sweet, the poems form markers in the landscape of love, lore and family, making mementoes to the buried and the living.Richie McCaffery (b. 1986) lives in Stirling and studies and works as a teaching assistant at The University of Glasgow. He is the author of two poetry pamphlets, Spinning Plates (HappenStance Press, 2012) and Ballast Flint (Cromarty Arts Trust, 2013). His poems have appeared in journals and anthologies such as The Dark Horse, Stand, The Rialto and The Best British Poetry 2012.
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Wild Life by James McDermott explores the nature of queerness, the queerness of nature, and the queerness of 'natural' masculinity. In bold poems that root themselves firmly in the coastal landscapes of North Norfolk, a vivid and radical dialogue between nature, sexuality and self-discovery emerges. McDermott brings a lyrical physicality to poetry which focuses on the body, desire, shame, and tenderness, creation and re-creation, and where there is 'everything always opening / everything always coming out'. These poems skilfully graft and touch, draw parallels between moments of transformation in the many kinds of ecosystems we exist in – whether outside and between woodland, shoreline and skyline, where the wildlife will 'see me as just another animal', or in human interactions in schools, gyms, and pubs where ideas of manhood, self, and society's expectations collide. Like the coastal spaces where McDermott finds an innate connection, Wild Life identifies that which is fluid and constantly changing – and that nature itself isn't afraid of being colourful, excessive, too much.
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Read a sample poem for free - just click the Extracts tab above.Matt Merritt's second collection, Hydrodaktulopsychicharmonica, is alive with a rare frequency all of its own – it is a precise and rewarding music for the soul, the heart, and the head.These are poems that take a distinctive route through landscapes rich with legend and wildlife, finding elegies written in the night sky on the way home from the pub, or quiet epics raging in the pages of memories and neglected histories. Matt Merritt has an ear for the exact notes, be they in a major or a minor key, and these gently insistent poems continue to resound long after their first reading."In Matt Merritt's finely honed new collection, lives are lived in liminal spaces, shadow selves are reconstructing history and time is no time at all. These are quick-witted poems, made of toughened glass and ground-down clocks."Helen Ivory"Matt Merritt's new book is a cracker – technically adventurous and thematically cohesive. His work is based on a close attention to the world and a scrupulous approach to getting that world into verse. His subject is landscape, the rural and urban landscapes of the Midlands, which he uses as a cipher to talk about personal and community life. We see the surfaces of the contemporary, but also the deep presence of the historical poking through – the planning of new towns and the persistence of floodplains. This is the psychogeography of modern Leicestershire. Reading these poems I felt my own consciousness calming and concentrating – which is as good a way as any of saying that they are beautiful."Tony WilliamsMatt Merritt's debut full collection, Troy Town, was published by Arrowhead Press in 2008, and a chapbook, Making The Most Of The Light, by HappenStance in 2005. He studied history at Newcastle University and counts Anglo-Saxon and medieval Welsh poetry among his influences, as well as the likes of R.S. Thomas, Ted Hughes and John Ash. He was born in Leicester and lives nearby, works as a wildlife journalist and is an editor of Poets On Fire.
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The Elephant Tests, the third collection of poems from Matt Merritt, takes sheer delight in the full possibilities of language in this study of birds and natural history, travel, personal and universal memory, and even of the occasional elephant too. In the process, it captures the quiet wonder of the fleeting moments that amaze, puzzle and trouble us.Eco-poetry and exploration are met perfectly with myths and epiphanies; the wide, wild world outside is precisely spoken for, just a moment before taking flight or merging into dusk. This is poetry unafraid of new territories; Matt Merritt pushes out the boundaries of each poem without ever once losing the humour, grace and gentle melancholy at their heart."A poet's talent follows no maps. Insight, rueful humour and a perfectly tuned ear make Matt Merritt's The Elephant Tests an exceptional collection, whose poems absorb and startle. Here are elephants, benign or brooding, hares, 'sharp against the last sun', humans, who 'lie and wait for the ceiling rose to bloom', birds, imagined and real: 'Rain bird (see also yarrow, yappingale, yaffle)'. Each poem reveals its own richness: 'and the last thing you see / will be the last thing you ever expected.'"Alison Brackenbury"I've become a pretty ardent Matt Merritt fan in recent years. A more observant and articulate poet is hard to imagine. The Elephant Tests is at least as strong as its two predecessors, whilst also being thematically and stylistically his most ambitious and varied book to date."Rory Waterman"The Elephant Tests shows a fully mature poet who continues to explore the relationship between verse and his life. Merritt accompanies us on a poetic journey that forces us to reflect on ever-growing uncertainties."Matthew Stewart, Rogue Strands"There's a great variety of tone and style here, though; much wider than is sometimes found in smaller press publications, more than I have room to discuss here – a couple of the Elephant poems, for example, which drew me to this collection, are great fun whilst also using the metaphor to discuss worth and memory. These are poems of acute observation that enjoy playing with language, both sound and meaning, and I very much enjoyed reading them."Rosemary Badcoe, AntiphonMatt Merritt is a poet and wildlife journalist. His previous collections are hydrodaktulopsychicharmonica (Nine Arches, 2010), Troy Town (2008) and the pamphlet Making The Most Of The Light (2005). He reviews poetry for Magma, New Walk, Under the Radar and Sphinx, and is co-editor of Poets on Fire. He lives near Leicester.
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